5.29.11
This is an Archival Site
There is now a new Rogovoy Report home
5.18.11
Weekend Preview May 19-24
Bob Dylan tributes, Deborah Voigt, Tom Paxton, Bill Kirchen, John Kirk and Trish Miller
5.18.11
Celebrating Bob Dylan's 70th Birthday in Style
Paying tribute to the greatest rock songwriter ever
5.17.11
FILM REVIEW: In a Better World and Of Gods and Men
Review by Seth Rogovoy
5.17.11
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5.12.11
Deborah Voigt Headlines Mahaiwe Gala
Opera star to sing arias, show tunes on Saturday, May 21
5.15.11
Famed Spiritual Teacher to Speak on Nonviolence
Mother Maya in free talk at Sruti Yoga in Great Barrington, Mass., on Friday May 20 at 7pm
5.12.11
Special Effects Wizard to Be Honored by Film Festival
Doug Trumbull to be Feted by BIFF
5.11.11
Weekend Preview May 12-16
Cultural Highlights of the Berkshire Weekend
6.4.09
Talk about a small world
Elaine and I grew up together, but only just recently met....
5.8.11
Berkshire Living to Cease Publication
A Farewell from Publisher Michael Zivyak
5.8.11
twiGs Branches Out
Lenox boutique launches new e-tail site
5.8.11
[MUSIC REVIEW] Avalon Quartet in Close Encounters at Mahaiwe
Review by Seth Rogovoy
5.8.11
[MUSIC REVIEW] Avalon Quartet in Close Encounters at Mahaiwe
Review by Seth Rogovoy
5.7.11
[FILM REVIEW] Bill Cunningham New York
Review by Seth Rogovoy
5.7.11
[FILM REVIEW] Bill Cunningham New York
Review by Seth Rogovoy
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[MUSIC REVIEW] Turnage's BLOOD ON THE FLOOR at Tanglewood
8.2.06
`Blood on the Floor' is a wild sonic ride
By Richard Dyer, Globe Staff
LENOX -- A mellowed Mark-Anthony Turnage , now in his mid-40s and looking a little like Elvis Costello, told the pre concert preview audience at the Tanglewood Festival of Contemporary Music on Monday that he wanted his ``Blood on the Floor" to be ``a big, loud piece, with some quiet, gentle moments."
Turnage finished this extraordinary 70-minute work for jazz soloists and large ensemble 11 years ago, when he was the fiercely controversial and transgressive Wild Child of British music. The amped-up parts of ``Blood on the Floor" are certainly exciting and very loud indeed; in fact, the front rows of Seiji Ozawa Hall were roped off to prevent people from getting too close to the speakers.
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