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5.29.11
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5.18.11
Weekend Preview May 19-24
Bob Dylan tributes, Deborah Voigt, Tom Paxton, Bill Kirchen, John Kirk and Trish Miller



5.18.11
Celebrating Bob Dylan's 70th Birthday in Style
Paying tribute to the greatest rock songwriter ever



5.17.11
FILM REVIEW: In a Better World and Of Gods and Men
Review by Seth Rogovoy



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5.12.11
Deborah Voigt Headlines Mahaiwe Gala
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5.15.11
Famed Spiritual Teacher to Speak on Nonviolence
Mother Maya in free talk at Sruti Yoga in Great Barrington, Mass., on Friday May 20 at 7pm



5.12.11
Special Effects Wizard to Be Honored by Film Festival
Doug Trumbull to be Feted by BIFF



5.11.11
Weekend Preview May 12-16
Cultural Highlights of the Berkshire Weekend



6.4.09
Talk about a small world
Elaine and I grew up together, but only just recently met....



5.8.11
Berkshire Living to Cease Publication
A Farewell from Publisher Michael Zivyak



5.8.11
twiGs Branches Out
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5.8.11
[MUSIC REVIEW] Avalon Quartet in Close Encounters at Mahaiwe
Review by Seth Rogovoy



5.8.11
[MUSIC REVIEW] Avalon Quartet in Close Encounters at Mahaiwe
Review by Seth Rogovoy



5.7.11
[FILM REVIEW] Bill Cunningham New York
Review by Seth Rogovoy



5.7.11
[FILM REVIEW] Bill Cunningham New York
Review by Seth Rogovoy





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(Dance Review) CHUNKY MOVE

7.1.05
CHUNKY MOVE

Jacob's Pillow Dance
Becket, Mass.
Doris Duke Studio Theatre
June 30-July 3, 2005
Program: "Tense Dave"

Who is Dave, and why is he so tense?

Actually, it doesn't really matter. Besides bearing a more than vague aesthetic similarity to namesakes David Byrne and David Lynch, the main character of "Tense Dave" is a Beckettian everyman, reluctantly sucked into the seamy vortex of his neighbor's bizarre lives.


In he hands of the Australian dance collective, Chunky Move (my fingers keep wanting to type Chunky Monkey, but that's because they're tense), this plays itself out in the course of an intriguing, funny, disturbing, ultimately passionate short hour, the best of which challenges dancers and audience alike -- to great reward -- on a revolving stage that offers simultaneous vignettes of five different lives.


Dave seemingly existed in his own world, a blank, empty tabula rasa, as opposed to his quirky neighbors, to each of whom we are introduced in all their flagrant delirium.


Giving new meaning to "no one knows what goes on behind closed doors" (and, after seeing this, you won't want to), "Tense Dave" deals with the walls we build around ourselves and the walls we take down. Playing itself out like some sort of kabuki version of "Eraserhead" in vignettes that variously include dance, dialogue, music, and sound effect, and range stylistically from kung fu to puppetry, the program, which poses intense physical and emotional demands on the performers, even moreso than the somewhat challenged audience, explodes in an orgy of violence and destruction towards the end, leaving viewers with a new appreciation of Robert Frost's dictum, "good fences make good neighbors."


So do solid plaster walls.







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