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5.29.11
This is an Archival Site
There is now a new Rogovoy Report home



5.18.11
Weekend Preview May 19-24
Bob Dylan tributes, Deborah Voigt, Tom Paxton, Bill Kirchen, John Kirk and Trish Miller



5.18.11
Celebrating Bob Dylan's 70th Birthday in Style
Paying tribute to the greatest rock songwriter ever



5.17.11
FILM REVIEW: In a Better World and Of Gods and Men
Review by Seth Rogovoy



5.17.11
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5.12.11
Deborah Voigt Headlines Mahaiwe Gala
Opera star to sing arias, show tunes on Saturday, May 21



5.15.11
Famed Spiritual Teacher to Speak on Nonviolence
Mother Maya in free talk at Sruti Yoga in Great Barrington, Mass., on Friday May 20 at 7pm



5.12.11
Special Effects Wizard to Be Honored by Film Festival
Doug Trumbull to be Feted by BIFF



5.11.11
Weekend Preview May 12-16
Cultural Highlights of the Berkshire Weekend



6.4.09
Talk about a small world
Elaine and I grew up together, but only just recently met....



5.8.11
Berkshire Living to Cease Publication
A Farewell from Publisher Michael Zivyak



5.8.11
twiGs Branches Out
Lenox boutique launches new e-tail site



5.8.11
[MUSIC REVIEW] Avalon Quartet in Close Encounters at Mahaiwe
Review by Seth Rogovoy



5.8.11
[MUSIC REVIEW] Avalon Quartet in Close Encounters at Mahaiwe
Review by Seth Rogovoy



5.7.11
[FILM REVIEW] Bill Cunningham New York
Review by Seth Rogovoy



5.7.11
[FILM REVIEW] Bill Cunningham New York
Review by Seth Rogovoy





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[THEATER REVIEW] ANTONY AND CLEOPATRA at SHAKESPEARE & COMPANY

8.10.07
Packer delivers a majestic and seductive Cleopatra

By Louise Kennedy, Boston Globe Staff

LENOX -- Let's just cut to the chase here. Tina Packer is absolutely magnificent as Cleopatra.

Any argument that the artistic director of Shakespeare & Company was arrogantly taking on a role she was too old for must simply fall away before Michael Hammond's powerful, passionate staging of "Antony and Cleopatra" -- and Packer's even more powerful and passionate performance at its center.

No, Packer is not young. But neither is Cleopatra, as Shakespeare's text frequently reminds us -- and, unlike our own youth-obsessed culture, neither the queen nor her creator sees a woman's maturity as an impediment to her seductive power.

When Cleopatra mentions her "salad days," she's not lamenting her lost youth, as wistful moderns might; she's mocking her younger self for being "green in judgment, cold in blood." Shakespeare's Cleopatra is a tastier dish than any starlet, not least because she's well seasoned.

Who better to play her, then, than a woman who herself has lived long and well? And, age aside, Packer displays the infinite variety that the role demands. By turns coquettish and majestic, giddy with love and blind with rage, Cleopatra must persuade us that she is at once superhumanly strong and humanly vulnerable. Part of her charm lies in its elusiveness, in her quicksilver darting from private passion to public power and back again.

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