5.11.08
What I'm Reading
Martin Amis, Bob Dylan books, Richard Price
5.11.08
How I'm Feeling
Need a replacement for lower back
5.8.08
Weekend Highlights May 9-11
THE ROGOVOY REPORT
5.6.08
[PRESS RELEASE] Pinchas Zukerman daughter Natalia to headline at Club Helsinki
Coming to Great Barrington, Mass., nightclub on May 18
5.2.08
Singer/composer Jenny Scheinman at MASS MoCA is weekend's top pick
Preview by SETH ROGOVOY, Berkshire Living Magazine
4.25.08
[FILM REVIEW] Shine a Light (The Rolling Stones)
review by SETH ROGOVOY, Berkshire Living Magazine
4.17.08
[FILM REVIEW] The Counterfeiters
review by SETH ROGOVOY, Berkshire Living Magazine
4.11.08
Klezmatics do Woody Guthrie's Jewish songs
Weekend highlights, April 11-13
3.17.08
GOLEM returns to Club Helsinki for PURIM this Friday night
Press Release from Club Helsinki
7.1.07
[PERFORMANCE ART REVIEW] Aurelia Thierree at Jacob's Pillow
Review by Seth Rogovoy, BERKSHIRE LIVING
2.25.08
Richard Thompson, America, and Madeline Peyroux added to Mahaiwe lineup this spring
Mahaiwe press release
2.25.08
Dennis Prager to make the case for Judaism at Berkshire South
Simulcast of lecture at NY's 92nd St. Y
2.24.08
[MUSIC REVIEW] Urban vs. Pastoral Music at the Mahaiwe courtesy of Close Encounters with Music
Review by Seth Rogovoy, BERKSHIRE LIVING Magazine
2.18.08
[THEATER REVIEW] TRUMBO at Barrington Stage
Review by Seth Rogovoy, BERKSHIRE LIVING Magazine
2.18.08
[MUSIC REVIEW] Sarah Aroeste's neo-Ladino at Club Helsinki
Review by Seth Rogovoy, BERKSHIRE LIVING Magazine
2.18.08
[MUSIC REVIEW] Sarah Aroeste's neo-Ladino at Club Helsinki
Review by Seth Rogovoy, BERKSHIRE LIVING Magazine
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[DANCE REVIEW] State Ballet of Georgia at Jacob's Pillow
7.1.07
Bravura Moves for an Old Crowd Pleaser
By ALASTAIR MACAULAY
Published: June 23, 2007
BECKET, Mass., June 21 — Some ballets, alas, are fragile. Others, alack, are indestructible. I have often wished Petipa’s tutu-Spanish “Don Quixote” were more frail than it is: It’s the kind of ballet-as-circus event that seldom turns into art, but its virtuosity and its music’s razzmatazz are such that you can eliminate the title character and the plot, interleave individual dances from earlier acts into the grand pas de deux from Act III, cram it all onto a small stage to taped music, and still it’s “Don Q,” that whiz-bang crowd-pleaser.
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