5.29.11
This is an Archival Site
There is now a new Rogovoy Report home
5.18.11
Weekend Preview May 19-24
Bob Dylan tributes, Deborah Voigt, Tom Paxton, Bill Kirchen, John Kirk and Trish Miller
5.18.11
Celebrating Bob Dylan's 70th Birthday in Style
Paying tribute to the greatest rock songwriter ever
5.17.11
FILM REVIEW: In a Better World and Of Gods and Men
Review by Seth Rogovoy
5.17.11
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5.12.11
Deborah Voigt Headlines Mahaiwe Gala
Opera star to sing arias, show tunes on Saturday, May 21
5.15.11
Famed Spiritual Teacher to Speak on Nonviolence
Mother Maya in free talk at Sruti Yoga in Great Barrington, Mass., on Friday May 20 at 7pm
5.12.11
Special Effects Wizard to Be Honored by Film Festival
Doug Trumbull to be Feted by BIFF
5.11.11
Weekend Preview May 12-16
Cultural Highlights of the Berkshire Weekend
6.4.09
Talk about a small world
Elaine and I grew up together, but only just recently met....
5.8.11
Berkshire Living to Cease Publication
A Farewell from Publisher Michael Zivyak
5.8.11
twiGs Branches Out
Lenox boutique launches new e-tail site
5.8.11
[MUSIC REVIEW] Avalon Quartet in Close Encounters at Mahaiwe
Review by Seth Rogovoy
5.8.11
[MUSIC REVIEW] Avalon Quartet in Close Encounters at Mahaiwe
Review by Seth Rogovoy
5.7.11
[FILM REVIEW] Bill Cunningham New York
Review by Seth Rogovoy
5.7.11
[FILM REVIEW] Bill Cunningham New York
Review by Seth Rogovoy
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[THEATER REVIEW] Night of the Iguana at BTF
8.9.06
'Night of the Iguana': Discovering a Measure of Goodness in a Fleapit
By BEN BRANTLEY
Published: August 9, 2006
STOCKBRIDGE, Mass., Aug. 5 -- Somewhere between the human hell that is the nasty Old West town called Deadwood and the heaven that is, well, heaven lies in a small, seedy hotel on a beach in Mexico. It's a place where hard notions of good and evil go soft in the sun, and God and the Devil are on speaking terms.
The Hotel Costa Verde is just the spot for an actor who is used to playing Manichean extremes to find a middle ground rife with moral contradictions.
The Costa Verde is the setting for “The Night of the Iguana,” first produced in 1961 and the last of the great plays by Tennessee Williams that mapped the terrible limbo of human loneliness. And in the amiable, low-key revival at the Berkshire Theater Festival here, Garret Dillahunt hunkers down in this sunny Mexican fleapit as if it were his natural home.
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