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5.29.11
This is an Archival Site
There is now a new Rogovoy Report home



5.18.11
Weekend Preview May 19-24
Bob Dylan tributes, Deborah Voigt, Tom Paxton, Bill Kirchen, John Kirk and Trish Miller



5.18.11
Celebrating Bob Dylan's 70th Birthday in Style
Paying tribute to the greatest rock songwriter ever



5.17.11
FILM REVIEW: In a Better World and Of Gods and Men
Review by Seth Rogovoy



5.17.11
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5.12.11
Deborah Voigt Headlines Mahaiwe Gala
Opera star to sing arias, show tunes on Saturday, May 21



5.15.11
Famed Spiritual Teacher to Speak on Nonviolence
Mother Maya in free talk at Sruti Yoga in Great Barrington, Mass., on Friday May 20 at 7pm



5.12.11
Special Effects Wizard to Be Honored by Film Festival
Doug Trumbull to be Feted by BIFF



5.11.11
Weekend Preview May 12-16
Cultural Highlights of the Berkshire Weekend



6.4.09
Talk about a small world
Elaine and I grew up together, but only just recently met....



5.8.11
Berkshire Living to Cease Publication
A Farewell from Publisher Michael Zivyak



5.8.11
twiGs Branches Out
Lenox boutique launches new e-tail site



5.8.11
[MUSIC REVIEW] Avalon Quartet in Close Encounters at Mahaiwe
Review by Seth Rogovoy



5.8.11
[MUSIC REVIEW] Avalon Quartet in Close Encounters at Mahaiwe
Review by Seth Rogovoy



5.7.11
[FILM REVIEW] Bill Cunningham New York
Review by Seth Rogovoy



5.7.11
[FILM REVIEW] Bill Cunningham New York
Review by Seth Rogovoy





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[MUSIC REVIEW] BSO, Levine, Strauss, July 15

7.17.06
Levine leads with quiet hand

By JOSEPH DALTON, Special to the Times Union
First published: Monday, July 17, 2006

LENOX, Mass. -- James Levine is creating magic at Tanglewood, and like a great sleight-of-hand artist, he's doing it with understated flair.

At the annual Leonard Bernstein Memorial Concert Saturday night with the Tanglewood Music Center Orchestra, Richard Strauss' one-act opera "Elektra" veritably roared with sound over and over again. Yet the ever-efficient Levine, in a blue polo shirt and black slacks, maintained a modest presence at the podium.

Throughout the 100-minute work, Levine kept a steady beat with his baton and probably did give more cues to the student players than he might have to the Boston Symphony Orchestra. During a quiet passage of the strings, he laid aside his stick and practically embraced the sound in his arms. And for a few particularly grand crescendos, he stood up. Meanwhile, members of the stellar vocal cast were singing their guts out, recounting one of the most harrowing family tales in history.

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