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5.29.11
This is an Archival Site
There is now a new Rogovoy Report home



5.18.11
Weekend Preview May 19-24
Bob Dylan tributes, Deborah Voigt, Tom Paxton, Bill Kirchen, John Kirk and Trish Miller



5.18.11
Celebrating Bob Dylan's 70th Birthday in Style
Paying tribute to the greatest rock songwriter ever



5.17.11
FILM REVIEW: In a Better World and Of Gods and Men
Review by Seth Rogovoy



5.17.11
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5.12.11
Deborah Voigt Headlines Mahaiwe Gala
Opera star to sing arias, show tunes on Saturday, May 21



5.15.11
Famed Spiritual Teacher to Speak on Nonviolence
Mother Maya in free talk at Sruti Yoga in Great Barrington, Mass., on Friday May 20 at 7pm



5.12.11
Special Effects Wizard to Be Honored by Film Festival
Doug Trumbull to be Feted by BIFF



5.11.11
Weekend Preview May 12-16
Cultural Highlights of the Berkshire Weekend



6.4.09
Talk about a small world
Elaine and I grew up together, but only just recently met....



5.8.11
Berkshire Living to Cease Publication
A Farewell from Publisher Michael Zivyak



5.8.11
twiGs Branches Out
Lenox boutique launches new e-tail site



5.8.11
[MUSIC REVIEW] Avalon Quartet in Close Encounters at Mahaiwe
Review by Seth Rogovoy



5.8.11
[MUSIC REVIEW] Avalon Quartet in Close Encounters at Mahaiwe
Review by Seth Rogovoy



5.7.11
[FILM REVIEW] Bill Cunningham New York
Review by Seth Rogovoy



5.7.11
[FILM REVIEW] Bill Cunningham New York
Review by Seth Rogovoy





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[THEATER REVIEW] HAMLET at Shakespeare and Company

7.15.06
A thinking man's 'Hamlet'

By Louise Kennedy, Globe Staff

LENOX -- Sharply intelligent, lean, and taut, the first main-stage production of "Hamlet" in Shakespeare & Company's 29-year history grapples expertly with many of the play's puzzles. Ultimately, though, this is a "`Hamlet" that speaks more to the head than the heart.

Indeed, in director Eleanor Holdridge's clever conception, it speaks within the head of Hamlet himself: Holdridge explains in her program notes that the production is set "in the electrical synapse impulses of Hamlet's dying brain." It's a stark and steely place, in Edward Check's design -- and a startling one from the first static-filled instant, when the lights go black. With an electric buzz, they snap blindingly back on, then off again, then on, as fragments of famous lines float from the characters, in eclectic modern dress, arranged behind the central figure of Hamlet.

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